—-This post was updated and refreshed in June 2018. Happy reading!—-
Here are some of my favorite comics that tell stories about politics, race, social change, activism, and justice – all the good and bad that goes with our world’s history on those issues. I hope you find something new and interesting to read here!
Before we jump in:
- All comics here can be bought as graphic novels/collections, not only as single issues. Your library may own many of these!
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- If you need to know whether a book has certain content that would make it a bad fit for you, I’m happy to check!
Two traveling African-American blues musicians. White racism. This isn’t going to end well. It’s set in the early 20th century in Arkansas and it doesn’t flinch from showing the ugly brutality of racist violence. But instead of relying on violence for shock value, Bluesman centers the human experience of Lem Taylor, one of the musicians. The story takes him on an epic journey which sadly has no happy ending. The illustrations are dark and somber, in keeping with the tragedy of the plot, and the woodcut / printing style helps set the time period. Vollmar and Callejo include some historical background notes, sparingly, not overwhelming the action or the emotion of the book. I appreciated it, since I wasn’t very familiar with the specific setting for the story. I was impressed with the craftsmanship here, and I can forgive Vollmar and Callejo for kicking me right in the heart at the end. It had to be done.
Bluesman is available in a collected edition linked above, but it was previously published as three volumes.
Superheroes? Yes! Superhero comics that push back against stereotypes? Even more yes! I am not always a big fan of anthologies, but there were a number of short stories here that I would have bought immediately if they were ongoing series. This was a groundbreaking collection when it was published in 2018, and remains an important and entertaining work in the genre. It isn’t preachy, it’s action-packed, funny, satirical, and heartfelt. Shattered, the sequel, had a hard act to follow, but I found a good number of new-to-me creators to love there as well. Well worth your time if you’re a superhero fan, or even if you’re not.
Incognegro drew me back to comics after several years when nothing interested me. The story is intense beyond words. It’s a mystery, a crime and detective story, and a reminder of the deep horror of how African-Americans have been treated throughout U.S. history. It’s set in the 1930s. Zane Pinchback is an African-American reporter who has skin light enough to “pass” for white, working in New York. He travels to Mississippi when his brother is accused of murdering a white woman. Johnson was inspired by the real life stories of Walter White, executive secretary of the NAACP, who made similar trips to investigate lynchings.
For those interested in crime or mystery stories or American history, this is a must-read. It’s violent, but not without purpose. Johnson is an award-winning writer and writing professor, and he handles this story beautifully. Pleece’s art looks appropriate for the setting without appearing dated. They’re both exceptionally talented, and I’ve enjoyed following their work on other projects after I read this.
Make sure you get the 10th anniversary edition, published in early 2018, for the best reading experience. A companion series, Incognegro: Renaissance, is being published as well, so I’m looking forward to that.
A dark Southern fantasy about race. A young girl, Lee Wagstaff, journeys into a parallel world to save her innocent father from being hanged for the murder of a white girl. Violence pervades this world of anthropomorphized animals and monsters, just as it does her reality, but she won’t give up. Love is a gifted storyteller and a capable artist. His scenes are grotesque and menacing where they need to be, and sweet where Lee and her family connect with each other. I can tell I’m missing some of the layers while reading it, due to my own ignorance, because so much history and mythology is clearly wrapped up in Lee’s journey. It’s a compelling story, though, even if like me you don’t know enough to fully process all the references.
The only problem: Bayou was never completed. The two printed volumes, and the Comixology run of issues #1-15, each collect all the material that seems to have been published, and it’s been 5+ years since the last issue. I’m glad I read it anyway, but I know for some of y’all the lack of an ending would be understandably annoying.
Neal Barton has two problems. One, he’s a fantasy-loving smart liberal kid trapped in a scary little Christian conservative town. Two, he he has a super-negative attitude towards life. The attitude may well be an effect of the town, but as various people around him gently point out, it’s keeping him from enjoying the good things there are in his life.
In fairly quick succession, three things happen to change Neal’s life. His gay best friend is sent to military school by his conservative parents. (Actually a relief for the friend, honestly, given the level of conflict at home.) He starts high school, which means meeting a bunch of kids who were in other middle schools. And town politics erupt over an attack on his favorite series, The Adventures of Apathea Ravenchilde, by conservative town citizens trying to save children from the evils of witchcraft by having it removed from the library. Neal has to find the strength to do two things simultaneously: make new friends, and stand up against censorship.
I love so many of the characters here, especially Neal’s mom and the town’s youth librarian who is SUCH a fangirl it’s not even funny. In this book, young people aren’t viewed as second class citizens by the good adults, and that’s refreshing. The small town politics and conservative outrage are pitch perfect, especially in the City Council meetings, which echo a lot of the arguments I remember from my time growing up in the conservative Christian suburbs of Houston, Texas.
Bonus: a gay teen character who may not have the parents he’d choose, but who does not become tragic.
Americus is complete in one volume.
March is a trilogy covering the life and work of Representative John Lewis, a pioneer in the Civil Rights movement. This series has gotten a lot of attention, and sparked renewed interest in civil rights and activism. The book jacket for the first volume says it’s “rooted in Lewis’ personal story” and that’s true. It starts with him, with his life and contributions, but it tells a much bigger story.
The first volume felt a little like background to me, but the storytelling in the second volume really started to pop. You wouldn’t fully appreciate it without the lessons from the first volume, so props to Rep. Lewis and co-author Aydin for knowing how to bring the reader to that place. The story of the Civil Rights movement they share doesn’t just recount historical events, but opens a window into how social change movements and personalities shape each other. Powell is such a talented artist that I had forgotten the art was black, white, and grayscale until I started flipping through again. That says a lot about how powerfully he depicted the events! A must-read.
Three interconnected stories about being who you are, and how painfully hard that can be – especially when stereotypes chase you everywhere you go. This is the comic to read if you don’t believe comics can be serious literature, because that’s only one of the many stereotypes it blows away. Already very well known, but such an amazing book that I couldn’t refrain from recommending it here.
American Born Chinese is complete in one volume.
That concludes today’s roundup of comics about politics, race, and activism that I love and recommend! If you have any suggestions for me, please leave them in the comments – and thanks for sharing this post on social media or with friends.